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From its origins in Ragtime and Blues, the passionate life and main themes of the greatest singers and musicians, this book discusses the history of one of America's greatest inventions, with chapters ranging from its historical beginnings to jazz in films.
Total de páginas 256
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La maravillosa leyenda de Arturo se ha construido a lo largo de muchos siglos, en palabras de escritores y versos de juglares. Así, la magia y fascinación que despierta su historia son inevitables, y sus nobles valores inspiran nuestra imaginación desde hace generaciones. Descúbrelos en este fantástico libro y disfruta de la magia del personaje. The timeless Arthurian legend come to life after centuries of oral tradition, written accounts, and popular songs. The tale's magic still evokes a sense of awe. It continues to inspire noble values and fuel our imaginations. Rediscover the...
Jules Verne's scientific adventure novels make him a classic of children's literature. He included elements of geology, mineralogy, and paleontology in this novel, originally published in 1864. Children can enjoy adaptation of Verne's text in Spanish and English and practice reading in both languages.
William S. Burroughs's fiction and essays are legendary, but his influence on music's counterculture has been less well documented—until now. Examining how one of America's most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock 'n' Roll reveals the transformations in music history that can be traced to Burroughs. A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure...
"Las vidas y obras de nuestras cantantes, compositoras guaracheras o vedettes a partir de sus testimonios"--Cover.
El presente volumen incluye la edición del oratorio "La soberbia abatida por la humildad de San Miguel", compuesta por Francisco Hernández Illana (ca1700-1780) en Astorga en 1727. El oratorio se volvió a interpretar posteriormente en Valencia y Palma de Mallorca a lo largo de la primera mitad del siglo XVIII.
Transcripción completa de la documentación manuscrita del legado de Francisco Asenjo Barbieri sobre el Teatro de los Caños del Peral.
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