El Madrid de Baroja

Un brillante análisis de las revoluciones desde mayo del 68 a mayo del 2011. En los años sesenta aparecieron movimientos culturales que pretendían cambiar el mundo. Querían más libertad sexual, el fin del consumismo capitalista y un reencuentro con la naturaleza. Sus proclamas aparecían en la televisión con música pop de fondo, y parecían en verdad el inicio de una revolución. Sin embargo, esas formas de vestir y hablar extravagantes, esa música estridente y esa rebeldía vital no sólo no acabaron con el capitalismo, sino que pasaron a formar parte del sistema y a ser asumidas por ...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Cinco estudios sobre la obra de Séneca y su pervivencia es un volumen misceláneo que reúne trabajos sobre la obra de Séneca entendida como obra literaria; sobre la opinión del filósofo cordobés acerca del libro y la lectura y, por último, sobre la forma en que esa obra ha llegado hasta nosotros: autores posteriores, códices y ediciones que la han trasmitido.