Y el amor--

The book examines the outstanding characteristics of the artistic production of artist Lucy Tejada Saenz (b. Colombia 1920) during the 1950's. These texts written for her individual exhibitions or highlighting her participation in collective competitions, represent formal interpretations of the "feminine" condition of her art and the formal and conceptual transformations of the work produced during this period.

Critical texts and catalogues on several pieces of art by New York-based artist Luis Roldán, (b. Colombia1955) presented in a portfolio of 4 "segments" depicting his series composed of paintings, drawings, and collages (with paper, threads and textile cuts), constructed from waste and residues fragments found in his house and in the streets of Bogotá and New York and that represent his "intimate archaeological explorations" rescued to represent the vital space and identity of the brutal movement of contemporary society.